
"the interiors are as great tools for gathering sound, expanding it and send it anywhere else." by peter zumthor

the idea is simple, create a versatile space where the music is spreading in the highest…
the location of the area to intervene is not rigid, but we found the main entrance of the Sanatorium as a scenario more favorable to exhibitions of different stages.
the location of the area to intervene is not rigid, but we found the main entrance of the Sanatorium as a scenario more favorable to exhibitions of different stages.

the contemporary forms tried in stages to create a clash with the conceptual architecture of the fascist Sanatorium ... not to create a relative superiority, but to build a complex environment where the music comes as a liaison officer.



on stage inside the colors themselves, lights the stage, the heat of the public and music paint, and close off the scene cold and dark but the sanitarium white…






the shape of the scene outside was not created randomly… cutting from the fund was created from the surrounding silhouette - the Serra da Estrela.
… the stage, as the hills, has two distinct sides: the public, which sees the stage as background cast in Sanatorium, and the artist who deals with the subjugation of the public between the artist and the valley of the cova da beira…




1 comment:
Tou a ver k ja dominas o C4d. Tens k m dar umas dicas para eu começar a mexer nakilo!
Tens aki bons trabalhos, conterrâneo! Mto bem
Abraço
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